Mitch Mitchell

Mary Hudetz, Associated Press

(11-13) 04:00 PST Portland, Ore. -- "Mitch Mitchell, drummer for the legendary Jimi Hendrix Experience of the 1960s and the group's last surviving member, was found dead in his hotel room early Wednesday. He was 61.

Mr. Mitchell was a powerful force on the Hendrix band's 1967 debut album "Are You Experienced?" as well as the trio's albums "Electric Ladyland" and "Axis: Bold As Love." He had an explosive drumming style that can be heard in hard-charging songs such as "Fire" and "Manic Depression."

The Englishman had been drumming for the Experience Hendrix Tour, which performed Friday in Portland. It was the last stop on the West Coast part of the tour.

Hendrix died in 1970. Bass player Noel Redding died in 2003.

An employee at Portland's Benson Hotel called police after discovering Mr. Mitchell's body.

Erin Patrick, a deputy medical examiner, said Mr. Mitchell apparently died of natural causes. An autopsy was planned.

"He was a wonderful man, a brilliant musician and a true friend," said Janie Hendrix, chief executive of the Experience Hendrix Tour and Jimi Hendrix' stepsister. "His role in shaping the sound of the Jimi Hendrix Experience cannot be underestimated."

Bob Merlis, a spokesman for the tour, said Mr. Mitchell had stayed in Portland for a four-day vacation and planned to leave Wednesday.

"It was a devastating surprise," Merlis said. "Nobody drummed like he did."

He said he saw Mr. Mitchell perform two weeks ago in Los Angeles, and the drummer appeared to be healthy and upbeat.

Merlis said the tour was designed to bring together veteran musicians who had known Hendrix - like Mr. Mitchell - and younger artists, such as Grammy-nominated winner Jonny Lang, who have been influenced by him.

Blues-rock guitarist Kenny Wayne Shepherd, who is 31 and was part of the tour, said Mr. Mitchell was to the drums what Hendrix was to the guitar.

"Today, many of us have lost a dear friend, and the world has lost a rock 'n' roll hero," he said.

Mr. Mitchell was a one-of-a-kind drummer whose "jazz-tinged" style was influenced by Max Roach and Elvin Jones, Merlis said.

The work was a vital part of both the Jimi Hendrix Experience in the 1960s and the Experience Hendrix Tour that ended last week, he said.

"If Jimi Hendrix were still alive," Merlis said, "he would have acknowledged that."

During his career Mr. Mitchell played with the best in the business - not just Hendrix, but also Eric Clapton, John Lennon, Keith Richards, Jack Bruce, Jeff Beck, Muddy Waters and others.

Mr. Mitchell was a member of a later version of the Jimi Hendrix Experience that performed the closing set of the Woodstock Festival in August 1969 - where Hendrix played a psychedelic version of "The Star-Spangled Banner" before the band launched into "Purple Haze."

The Jimi Hendrix Experience was inducted into the Rock and Roll Hall of Fame in 1992. According to the Hall of Fame, Mr. Mitchell was born July 9, 1947, in Ealing, England."

As the drummer in the Jimi Hendrix Experience, Mitch Mitchell was one of the greatest rock drummers of the 1960s. Mitchell's style was a blend of the abandon of someone like Keith Moon with the jazz complexity of a sticksman like Elvin Jones. While no one, including Mitchell, could match Moon for sheer rock power, it's also true that Mitchell had the technique to handle some rhythms and patterns that were beyond Moon's abilities. Mitchell was drummer on all of the Hendrix Experience's recordings and some of his post-Experience solo outings, and was still in his touring band when Hendrix died in September 1970.
Mitchell was a former child actor who had starred in the BBC children's television series Jennings before he was even in his teens. By the early '60s he was concentrating on his drumming, and gained experience in bands such asPeter Nelson & the Travellers and the Coronets. He also started doing some session work, and was a member of the Riot Squad, who had about half a dozen soul-rock singles in the mid-'60s without getting a hit. He played on some of the Pretty Things' second album, Get the Picture? He was considered for the permanent drum seat in the band when Viv Prince left, but was passed over in favor of Skip Alan, whom the Pretties felt had a more suitable personality.
Mitchell played in Georgie Fame & the Blue Flames during 1965 and 1966, but was fired in October 1966 when the lineup disbanded. The day after the firing, Chas Chandler invited him to audition for the group being formed around Jimi Hendrix. Mitchell beat out a lot of top young talent in London, including the other finalist, Aynsley Dunbar. Chandler later said that, unable to make up their minds, he and Hendrix tossed a coin, the flip coming out, fortunately for everyone concerned (except Dunbar), in Mitchell's favor. Mitchell was not a mere sideman to Hendrix, but an important collaborator. Always changing rhythms, never predictable, he was also flexible enough to bounce off and respond to Hendrix's own original solo lines. This was evident on the very first singles and the trio's first album, Are You Experienced?, as can be heard on the thrilling drum parts on tracks like "Fire," "Third Stone from the Sun," and "Manic Depression."
The Jimi Hendrix Experience as originally formed -- Hendrix, Mitchell, and bassist Noel Redding -- played their last show in mid-1969. There followed a confusing period in which Hendrix was obviously unsure of where to take his music and who to bring along for the ride, or perhaps even whether he wanted a permanent band lineup of any sort. Mitchell played behind Hendrix at his famous Woodstock performance, but then Hendrix started playing and recording with the Band of Gypsys, with Billy Cox on bass and Buddy Miles on drums. The Band of Gypsys didn't go smoothly, and the original Experience was re-formed in early 1970, but fell apart almost immediately. By the spring of 1970, Hendrix was playing with Cox on bass and Mitchell on drums. Mitchell has written that Hendrix, after finishing a strenuous tour in September 1970, wanted to keep working with Mitchell, a different bass player than Cox (possibly Jack Casady or Jack Bruce), and other musicians, possibly including the Brecker Brothers and Motown players. Hendrix died before any plans were made. Mitchell, unfortunately, has rarely recorded since, a shame as he obviously had the talent to work with top-flight rock and perhaps jazz and experimental musicians.
Some revisionist historians have contended that Mitchell and Redding were white faces hitched to Hendrix by pop-conscious management, and that Hendrix's heart lay with black musicians who were closer to the guitarist's blues and soul heritage. Looking at the available evidence, however, it seems impossible to conclude that Hendrix was merely putting up with Mitchell because of outside pressures that prevented him from collaborating with black musicians. Ultimately, Mitchell was the musician with whom Hendrix had the most important and sustained creative relationship out of the many people he led or supported, both onstage and on record. With John Platt, Mitchell wrote a memoir of his Hendrix years, -Jimi Hendrix: Inside the Experience, recommended for its first-hand perspective and emphasis upon the musical cornerstone of the Hendrix legend. ~ Richie Unterberger, All Music Guide